A small journal

Notes from the slow end of the workshop

Short essays on writing, craft and paying attention, published whenever there is something worth saying.

All notes

Everything published so far, newest first.

An open notebook and a wooden pencil on a desk in soft natural light
Practice

Why I still take notes by hand

A notebook is slower than a keyboard, and that is the entire point. Speed is not what I need from the first pass.

Elena Moreau4 min read
A hand plane, saw and ruler laid out on a wooden workbench
Craft

Small tools, kept sharp

A workshop with four good tools beats one with forty dull ones, and the same is true of almost every other kind of work.

Theo Brandt7 min read
A part-built wooden shelving unit surrounded by tools and loose planks
Craft

In praise of the unfinished shelf

It has held two hundred books for three years without a coat of oil on it. I have stopped calling that a failure.

Theo Brandt5 min read
Angular concrete facade casting geometric shadows
Looking

How to read a building

Every facade is an argument about how people should live. Once you notice the argument, you cannot stop reading them.

Elena Moreau8 min read

Who writes here

Elena Moreau standing beside a sunlit studio window

Elena Moreau

Writer and typographer

Elena writes about the slow parts of creative work from a small studio in Lisbon. She has spent fifteen years setting type for books that nobody was in a hurry to publish.

Theo Brandt photographed against a plain grey background

Theo Brandt

Furniture maker

Theo builds chairs and cabinets by hand in a converted dairy outside Utrecht, and writes about what the workshop teaches him on the days he stops arguing with it.